مدیران جدید ^.^ بیایین تبریک بگین

HamidSHS

Active Member
بابا خوشبه حالتون
ما { من و فريبرز } که چند وقت پيش مدير شديم در غربت به سر مي برديم !!!
يه چند نفر تبريک گفتن و بس.
البته شايد جاي تبريک گفتن نبود { جاي تسليت گفتن بود :دي } ولي باز هم شما ها رو خيلي تحويل گرفتن.
به اين اميد که بتونيم در کنار هم به دوستامون کمک کنيم .
موفق باشيد
ياعلي
 

living_for_cg

کاربر متخصص مدلینگ
سلام.
تبریک میگم به دوستان. امیدوارم موفق باشین و انجمن رو مثل قبل سرپا و پر تحرک نگه دارین.
به امید موفقیتهای بیشتر برای انجمن. :)
 

amin2001

Active Member
با سلام.
تبریک میگم به امین و ایمان عزیز و امیدوارم که همیشه در مراحل زندگیتون موفق باشید.

سلام
خیلی ممنون :) شما هم موفق باشیی . همیشه


تبریک عزیزان :)

تشکر :)

واقعا با حال شد! شد یک انجمن توپ!
شرلوک جان منم تبریک میگم:D (راستی رییس، یک لحظه پاچه رو.....بله ....گاز بزنم!.....نه.....جان شما......:lol:)
به امینم که تبریک گفتم...
خوب تیم باحالی شدین! یکدونه نفوزی، با یک اصفهانی و یکی هم خارجی! بیچاره ملت!!!!:lol:
چاکریییییییییییییییییییییییم در بست، ولی مسیر تهران مشهده! به درد شما نمیخوره:D
راستی اگر ما بدی، فوشی(!!!!)، جسارتی، زرب و شتمی، چیزی کردیم، به بزرگواری خودتون، سلکتش کنین و منتقلش کنین به آرشیو:lol:
چاکرییییییییییییییم:D

:D4کریممممم
روحی جان پاچشو نکنی ببری بزاری گوشه خونه
بیچاره لازمش داره (:)

اقا هواپیما دربسته تو پرو بالت نیست بیام اونجا یه پس گردنی بت بزنم؟
حالا میپرسی چرا پس گردنی
چون اوج شوخیه :lol:
ولی جدا از شوخی.خیلی 4کرم روحی جان:eek:

بابا خوشبه حالتون
ما { من و فريبرز } که چند وقت پيش مدير شديم در غربت به سر مي برديم !!!
يه چند نفر تبريک گفتن و بس.
موفق باشيد
ياعلي

حتما خبر رسانیش ضعیف بوده . چون حقیقتشمن خودم نفمیدم کی مدیر شدید :دی
پس الان بهتون تبریک میگم :)

موفق باشی



سلام.
تبریک میگم به دوستان. امیدوارم موفق باشین و انجمن رو مثل قبل سرپا و پر تحرک نگه دارین.
به امید موفقیتهای بیشتر برای انجمن. :)

سلاممم
خیلی ممنون
ایشالا یه سری برنامه های مشتی با علی و ایمان میریزیم که حسابی فعالیت ها بیشتر شه
 

:Mohsen:

کاربر باتجربه
اووووووووووووه، اينجا چه خبره :shock:، منو بگو رفتم پيغام خصوصي فرستادم، نگو اصل كار اينجاست
اول تبريك ويژه به مديران جديد(ايمان جون و امين جون) و بعدشم تبريك ويژه تر به بچه هاي سه بعدي كه از اين به بعد بالاي 4 بعد خوراكشونه!!!
127fs4522738.gif
127fs4522738.gif
127fs4522738.gif


خوب تیم باحالی شدین! یکدونه نفوزی، با یک اصفهانی و یکی هم خارجی! بیچاره ملت!!!!:lol:

روح الله اينو خوب اومدي، خيلي حال كرديم

راستي اسپم كه ديگه آزاده؟؟؟!!!
حالا خداييش كدوماتون بيشتر رئيسيد؟!؟!؟!؟!؟ به فكر خودمونيم كه با اين وضع كارآگاه بازارو نفوذي بازار بايد از كي بيشتر حساب ببريم
علي جون به دادمون برس!!!!!!


جدا از شوخي خيلي خيلي خوشحال شدم و شديدا موفق باشيد
 

reza699

Active Member
من هم به نوبه خودم رسیدن به این عنوان را به شما و خانواده محترمتان و همچنین به تمامی دوستاتون ،بچه محل هاتون ، خاله ، عمو ، عمه ، دایی ، دختر دایی ، پسر دایی ، پسر عمو ، دختر عمو ، مادر بزرگ ، پدر بزرگ ، نهاد های ورزشی ، اجتماعی ، اقتصادی و همچنین به تمامی دانشجویان عزیز و محصلان گرامی و تمام بچه های مجید آنلاین و همچین به تمامی بازیکنان یورو 2008 ( اعم از حذف شده و نشده ) و در کل به همه برو بچس تبریک میگم :cool:
 

Divine Love

Well-Known Member
من هم به نوبه خودم رسیدن به این عنوان را به شما و خانواده محترمتان و همچنین به تمامی دوستاتون ،بچه محل هاتون ، خاله ، عمو ، عمه ، دایی ، دختر دایی ، پسر دایی ، پسر عمو ، دختر عمو ، مادر بزرگ ، پدر بزرگ ، نهاد های ورزشی ، اجتماعی ، اقتصادی و همچنین به تمامی دانشجویان عزیز و محصلان گرامی و تمام بچه های مجید آنلاین و همچین به تمامی بازیکنان یورو 2008 ( اعم از حذف شده و نشده ) و در کل به همه برو بچس تبریک میگم :cool:

خيلي باحال بود. :lol:
 
آخرین ویرایش:

roohollah

Banned
اینم هدیم

امین
اینو ببین
عکسها رو بردار از پایین
============================ این لینک رو حتما ببین http://fa.wikipedia.org/wiki/%D8%AC%D8%B1%D9%85%DB%8C_%D8%A8%D8%B1%D8%AA
holmes10.jpg


  1. Moll Flanders (1996) .... Artist's Father
  2. Mad Dogs and Englishmen (1995) .... Tony Vernon-Smith
    ... aka Mad Dogs & Englishmen (Canada: English title: video box title)
    ... aka Shameless
  3. "The Memoirs of Sherlock Holmes" .... Sherlock Holmes (6 episodes, 1994)
    - The Cardboard Box (1994) TV episode .... Sherlock Holmes
    - The Mazarin Stone (1994) TV episode .... Sherlock Holmes
    - The Red Circle (1994) TV episode .... Sherlock Holmes
    - The Golden Pince-Nez (1994) TV episode .... Sherlock Holmes
    - The Dying Detective (1994) TV episode .... Sherlock Holmes
    (1 more)
  4. "The Casebook of Sherlock Holmes" .... Sherlock Holmes (9 episodes, 1991-1993)
    - The Eligible Bachelor (1993) TV episode .... Sherlock Holmes
    - The Last Vampyre (1993) TV episode .... Sherlock Holmes
    - The Master Blackmailer (1992) TV episode .... Sherlock Holmes
    - The Creeping Man (1991) TV episode .... Sherlock Holmes
    - The Illustrious Client (1991) TV episode .... Sherlock Holmes
    (4 more)
  5. The Hound of the Baskervilles (1988) (TV) .... Sherlock Holmes
  6. "The Return of Sherlock Holmes" .... Sherlock Holmes (11 episodes, 1986-1988)
    - The Bruce-Partington Plans (1988) TV episode .... Sherlock Holmes
    - Wisteria Lodge (1988) TV episode .... Sherlock Holmes
    - Silver Blaze (1988) TV episode .... Sherlock Holmes
    - The Devil's Foot (1988) TV episode .... Sherlock Holmes
    - The Six Napoleons (1986) TV episode .... Sherlock Holmes
    (6 more)
  7. The Sign of Four (1987) (TV) .... Sherlock Holmes
  8. "The Adventures of Sherlock Holmes" .... Sherlock Holmes (13 episodes, 1984-1985)
    ... aka Sherlock Holmes (Australia)
    - The Final Problem (1985) TV episode .... Sherlock Holmes
    - The Red-Headed League (1985) TV episode .... Sherlock Holmes
    - The Resident Patient (1985) TV episode .... Sherlock Holmes
    - The Norwood Builder (1985) TV episode .... Sherlock Holmes
    - The Greek Interpreter (1985) TV episode .... Sherlock Holmes
    (8 more)
  9. Deceptions (1985) (TV) .... Bryan Foxworth
  10. Florence Nightingale (1985) (TV) .... William Nightingale
  11. Morte d'Arthur (1984) (TV) .... King Arthur
  12. "The Love Boat" .... Ernest (1 episode, 1984)
    - Ace's Valet/Mother Comes First/Hit or Miss America (1984) TV episode .... Ernest
  13. "Number 10" .... William Pitt the Younger (1 episode, 1983)
    - Bloodline (1983) TV episode .... William Pitt the Younger
  14. "Play of the Month" .... Basil Hallward / ... (6 episodes, 1969-1982)
    - On Approval (1982) TV episode .... George, Duke of Bristol
    - The Picture of Dorian Gray (1976) TV episode .... Basil Hallward
    - Love's Labour's Lost (1975) TV episode .... Berowne
    - The School for Scandal (1975) TV episode
    - The Rivals (1970) TV episode .... Captain Jack Absolute
    (1 more)
  15. The Barretts of Wimpole Street (1982) (TV) .... Robert Browning
  16. "Seagull Island" (1981) TV mini-series .... David Malcolm
    ... aka Isola del gabbiano, L' (Italy: theatrical title)
    ... aka The Secret of Seagull Island (UK: video title)
  17. The Good Soldier (1981) (TV) .... Edward Ashburnham
  18. Madame X (1981) (TV) .... Dr. Terrence Keith
  19. Macbeth (1981) (V) .... Macbeth
  20. "Galactica 1980" .... Xavier (1 episode, 1980)
    ... aka Battlestar Galactica (USA: syndication title)
    - Spaceball (1980) TV episode .... Xavier
  21. "Hart to Hart" .... Mason Parks (1 episode, 1979)
    - Death in the Slow Lane (1979) TV episode .... Mason Parks
  22. Rebecca (1979) (TV) .... Maxim de Winter
  23. The Medusa Touch (1978) .... Edward Parrish
    ... aka Grande menace, La (France)
  24. "The Incredible Hulk" .... James Joslin (1 episode, 1978)
    - Of Guilt, Models and Murder (1978) TV episode .... James Joslin
  25. "Young Dan'l Boone" .... Langford (1 episode, 1977)
    - The Trail Blazer (1977) TV episode .... Langford
  26. "Supernatural" .... Mr. Nightingale (1 episode, 1977)
    - Mr. Nightingale (1977) TV episode .... Mr. Nightingale
  27. "Piccadilly Circus" (1976) TV series .... Host (unknown episodes)
  28. "Twiggy" (1 episode, 1975)
    - Episode dated 15 October 1975 (1975) TV episode
  29. The Prodigal Daughter (1975) (TV) .... Father Daley
  30. "Jennie: Lady Randolph Churchill" (1974) TV mini-series .... Count Kinsky
  31. "Wide World Mystery" .... Peter Tower (1 episode, 1974)
    - One Deadly Owner (1974) TV episode .... Peter Tower
  32. "Thriller" .... Peter Tower (1 episode, 1974)
    - One Deadly Owner (1974) TV episode .... Peter Tower
  33. "Country Matters" (1974) TV mini-series
  34. Haunted: The Ferryman (1974) (TV) .... Sheridan Owen
  35. "Affairs of the Heart" (1974) TV series .... Capt. Yule
  36. The Merchant of Venice (1973) (TV) .... Bassanio
  37. "A Picture of Katherine Mansfield" (1973) TV series .... John Middleton Murray (unknown episodes)
  38. "Country Matters" .... Captain Blaine (1 episode, 1973)
    - An Aspidistra in Babylon (1973) TV episode .... Captain Blaine
  39. "The Protectors" .... Kahan (1 episode, 1973)
    - ... With a Little Help from My Friends (1973) TV episode .... Kahan
  40. Nicholas and Alexandra (1971) (uncredited)
  41. Lord Byron (1970) (TV) .... Byron
    ... aka Biography: Lord Byron (UK: series title)
  42. "The Champions" .... The Bey (1 episode, 1969)
    - Desert Journey (1969) TV episode .... The Bey
  43. The Merry Widow (1968) (TV)
  44. "For Amusement Only" .... Henry (1 episode, 1968)
    - Time for the Funny Walk (1968) TV episode .... Henry
  45. "Theatre 625" .... Giacomo Casanova / ... (2 episodes, 1966-1967)
    - The Magicians: The Incantation of Casanova (1967) TV episode .... Giacomo Casanova
    - The Queen & the Welshman (1966) TV episode .... Villiers
  46. Kenilworth (1967) (TV) .... Edmund Tressilian
  47. "Armchair Theatre" .... Dorian Gray (3 episodes, 1961-1967)
    - Quite an Ordinary Knife (1967) TV episode
    - Something to Declare (1964) TV episode
    - The Picture of Dorian Gray (1961) TV episode .... Dorian Gray
  48. "The Baron" .... Jeff Walker (1 episode, 1967)
    - The Seven Eyes of Night (1967) TV episode .... Jeff Walker
  49. Quite an Ordinary Knife (1967) (TV) .... Gino
  50. "The Three Musketeers" (1966) TV mini-series .... D'Artagnan
  51. "Mystery and Imagination" .... Sir John Maltravers (1 episode, 1966)
    - The Lost Stradivarius (1966) TV episode .... Sir John Maltravers
  52. "Knock on Any Door" .... David (1 episode, 1965)
    - Close Season (1965) TV episode .... David
  53. My Fair Lady (1964) .... Freddy Eynsford-Hill
  54. Act of Reprisal (1964)
  55. "ITV Play of the Week" .... Angel Clare / ... (3 episodes, 1960-1963)
    ... aka Play of the Week (UK: short title)
    - Three Roads to Rome (1963) TV episode .... Tonino
    - The Typewriter (1962) TV episode
    - Tess (1960) TV episode .... Angel Clare
  56. Girl in the Headlines (1963) .... Jordan Barker
    ... aka The Model Girl Murder Case
    ... aka The Model Murder Case (USA)
  57. The Wild and the Willing (1962) .... Gilby
    ... aka Young and Willing (USA)
  58. The Ghost Sonata (1962) (TV) .... The Student
  59. Dinner with the Family (1962) (TV)
  60. The Very Edge (1962) .... Mullen
  61. "Hallmark Hall of Fame" .... Malcolm (1 episode, 1960)
    ... aka Hallmark Television Playhouse
    - Macbeth II (1960) TV episode .... Malcolm
  62. Macbeth (1960/I) (TV) .... Malcolm
  63. "Producers' Showcase" .... Paris (1 episode, 1957)
    - Romeo and Juliet (1957) TV episode .... Paris
  64. War and Peace (1956) .... Nicholas Rostov
    ... aka Guerra e pace (Italy)
  65. Svengali (1954) (uncredited) .... Pierre
Soundtrack:


  1. My Fair Lady (1964) (performer: "On the Street Where you Live", "On the Street Where you Live (Reprise)") ("Show Me")

Self:


  1. The Making of 'My Fair Lady' (1994) (V) .... Host
  2. Backstage at Masterpiece Theatre (1991) (TV) .... Himself

Archive Footage:


  1. The Shackles of Sherlock (2007) (TV) (uncredited) .... Sherlock Holmes
  2. "Time Shift"
    - A Study in Sherlock (2007) TV episode .... Himself
========================================
jbcane.jpg

نمی‌دانم چرا متأثر شدم وقتی که فهمیدم جرمی برت بازیگر نقش شرلوک هلمز در مجموعه تلویزیونی شرلوک هلمز و بهترین شرلوک هلمز در تاریخ بازیگری به ادعای هوادارانش در سال ۱۹۹۵ میلادی مرده است. بازخوانی بخشهایی از زندگی او جالب و تأثیرگذار است: این که او در دوران نوجوانی گرفتار یک ناهنجاری گفتاری بوده که مانع می‌شده بتواند حرف R را درست تلفظ کند. یک عمل جراحی برای رفع این مشکل انجام می‌شود که بعد از آن تمرینهای مداوم برت برای تصحیح تلفظهایش او را صاحب بیانی روان و گیرا می‌کند. این که او در فیلم دیگری در نقش دکتر واتسون دستیار هلمز ظاهر شده است. این که او وقتی می‌فهمد هلمز در داستان دویل معتاد به کوکائین است از دختر این نویسنده اجازه می‌گیرد و در قسمتی از این مجموعه با (تغییر داستان و) به خاکسپاری سرنگ هلمز نشان می‌دهد که او کوکائین را ترک کرده است. و این که مرگ نابهنگام همسر دومش او را در هم می‌شکند و زمینه‌های تشدید بیماری روانیش را فراهم می‌آورد و در نهایت داروهایی که او برای کنترل این بیماری مصرف می‌کرد و همچنین اعتیاد شدید او به سیگار باعث تشدید بیماری قلبیی که ریشه در دوران کودکی او داشت می‌گردد و در نهایت جان او را می‌گیرد. برت متولد سال ۱۹۳۳ میلادی بوده است و پسری از او و همسر اولش به نام دیوید هاگینز به جا مانده (متولد ۱۹۵۹ میلادی) که یک داستان‌نویس موفق بریتانیایی است. دوبله فارسی نقش هلمز را در مجموعه تلویزیونی شرلوک هلمز (که در طول یک دهه بین سالهای ۱۹۸۴ تا ۱۹۹۴ میلادی تهیه شد و با مرگ برت ناتمام ماند) بهرام زند به عهده داشت.









sherok.JPG
jeremy_brett.jpg
 
آخرین ویرایش:

Divine Love

Well-Known Member
يا علي اين شرلوك هلمز چي آدمه خفني بوده
بچه ها حواستونو جمع كنين.
اگه دست از پا خطا كنين بن كه ميشين هيچي. آمارتون هم به اينترپل گزارش ميشه.
:lol:
 

ali3dtech

Member
خوب تیم باحالی شدین! یکدونه نفوزی، با یک اصفهانی و یکی هم خارجی! بیچاره ملت!!!!
روحی من کله تو رو میکنم حالا میبینی...!!! پس اومدی تهران مواظب خودت باش...

حالا خداييش كدوماتون بيشتر رئيسيد؟!؟!؟!؟!؟ به فكر خودمونيم كه با اين وضع كارآگاه بازارو نفوذي بازار بايد از كي بيشتر حساب ببريم
علي جون به دادمون برس!!!!!!
رئیس که نداریم... اما انگار قضیه اینطوریه:
من نفوذی شدم و کسی جاسوسی کنه خفش میکنم و لوش میدم
ایمان هم کاراگاهمونه و موارد تخلفو کشف میکنه و میره میگرده ببینه کی مقصره و دلایل قتل و ارتکاب جرم رو کشف میکنه
امین هم از اونور آب ساپورتمون میکنه که چیزی کم نیاریم از مهمات گرفته تا مواد اولیه و آذوغه


چاکرییییییییییییییییییییی ییم در بست، ولی مسیر تهران مشهده! به درد شما نمیخوره
برگشتنه با هم میاییم شما حساب کن... زیاد نگران نباش روحی جون...

ما { من و فريبرز } که چند وقت پيش مدير شديم در غربت به سر مي برديم !!!
حمید جان میخوای بیام اونجا یه تاپیک بزنم برا شما هم جشن بگیریم ؟
ارادتمندیم




راستی روحی جون جالب بود ولی کاش لااقل لفت تو رایت میکردی بشه بخونیشون
 

Divine Love

Well-Known Member
روحی من کله تو رو میکنم حالا میبینی...!!! پس اومدی تهران مواظب خودت باش...


رئیس که نداریم... اما انگار قضیه اینطوریه:
من نفوذی شدم و کسی جاسوسی کنه خفش میکنم و لوش میدم
ایمان هم کاراگاهمونه و موارد تخلفو کشف میکنه و میره میگرده ببینه کی مقصره و دلایل قتل و ارتکاب جرم رو کشف میکنه
امین هم از اونور آب ساپورتمون میکنه که چیزی کم نیاریم از مهمات گرفته تا مواد اولیه و آذوغه



برگشتنه با هم میاییم شما حساب کن... زیاد نگران نباش روحی جون...


حمید جان میخوای بیام اونجا یه تاپیک بزنم برا شما هم جشن بگیریم ؟
ارادتمندیم




راستی روحی جون جالب بود ولی کاش لااقل لفت تو رایت میکردی بشه بخونیشون


:lol::lol::lol:
مي گم يه اسم هم براي گروه سه نفرتون انتخاب كنين.
:lol:
 

Sherlock_Holmes

Active Member
از باقي دوستان كه پيغام گذاشتند بازم ممنونم...

روح ا... بابت اطلاعاتي كه به همه دادي ممنون... خيلي خوب بود... البته واسه خودم تازگي نداشت... :wink: چي شد اين فكر به سرت زد؟!

يه سري آمار غير رسمي (!) هم هست كه شايد واسه كسي جالب باشه:
چيز جالبي كه وجود داره در مورد سري داستانهاي شرلوك هلمز يا همون من (!) اينه كه سر آرتور كانن دويل (نويسنده اثر) اين اولين كار نويسندگيش بوده! در روزنامه يا مجلات هفتگي چاپ ميشد و وقتي در يكي از قسمتها شرلوك هلمز ميميره انگلستان عزاي عمومي اعلام ميكنه... ملكه انگليس رسما از سر آرتور ( كه لقب "سر" رو به خاطر همين داستانها گرفت ) ميخواد كه براش ادامه اي بنويسه چون تمام انگلستان در شوك فر رفت.. اگه يادتون باشه سري بازگشت شرلوك هلمز هم در تلويزيون ايران پخش شد.... تا چندي پيش هم در دانشكده هاي پليس انگلستان روشهاي مشاهده و شهود و استنتاج با داستانهاي ويژه و پر چالش اين مجموعه تدريس ميشد...
بهترين بازيگر نقش شرلوك هلمز هم همين آواتار من يعني "جرمي برت" بوده ( و هست) كه خب روح ا.. گفت چجوريه... كه با دوبله بي نظير بهرام زند به اوج خودش رسيد...

ضمنا من اوايل عضويت با اسم Ayvanho فعاليت ميكردم كه بعد به Sherlock_Holmes تغييرش دادم... ! :) از اول اين نبود...
فكر كنم فقط حامد يعني hamed-ddd عزيز يادش باشه...
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اينجا من Ayvanho بودم..!
اينجا هم همينطور!

اينا رو گفتم كه آمار روح ا... تكميل بشه و خيالش راحت شه كه ديگه نييييس!! :wink: خدايي يكي تو نت سرچ كنه Shelock_Holmes
صاف مياد پست روح ا...!!


نكته آخر هم اينكه ما توي سايت 3 تا شرلوك هلمز ديگه هم داريم(!) با يه شرلوك خالي:
sherlock
sherlock-holmes
SherlockHolmes
sherlookholmse




اسپم رو تركوندم!!!

.

راستي روح ا... تغيير نام كاربريت و عنوان عضو فعالت هم مبارك... از طرف خودم...
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امين و شرلوک جان حالا بايد يه حالي به آواتارت بدي
من كه نه...! عكس با كيفيت مناسب جز اينا كه روح ا.. زحمت كشيد من زياد ندارم... اگه سايز بزرگ همين آواتارم رو بيابم اونو ميذارم... چون خيلي دوستش دارم...

در اخر بازم از همه كسايي كه اينقدر به ما لطف داشتن تشكر ميكنم... شخصا فكر نميكردم اينجوري شرمنده كنيد...
ارادتمند همگي...
 

roohollah

Banned
Jeremy Brett Interview-November 6, 1991


This interview is dedicated to Jeremy Brett fans.

Jeremy Brett Interview, November 6, 1991
Interviewer: Kevin P. Murphy

April 17, 2006:
For the past 20+ years, I have worked as a freelance writer in addition to whatever "day job" happened to make competing claims on my time and attention. I spent much of that time writing about live theater in the greater metropolitan Chicago region and, occasionally, beyond that. Throughout all that time, my wife, Joann, was employed by the Chicago Public School system, first as a classroom teacher, later as her high school's service learning coordinator/coach, and finally, as lead teacher/principal of a new small school that she established within that high school.

To Joann, taking time off from her work was something that was justified, perhaps, by three events: death in the family, jury duty, or major illness. Only once, as I recall, did she make an exception, and that was the day we commonly refer to as "Joann's 'Hooky' Day"--the day I was to interview English actor, Jeremy Brett, regarding his then-young Sherlock Holmes television series on PBS.

I did interview Jeremy Brett that day, and was delighted that I was the sole interviewer during the 30+ minute duration of that interview (with Joann "riding shotgun," of course).
The interview took place at the WTTW studios, 23 N. Michigan (IIliniois Center Building, 18th Floor), Chicago, Illinois. Later, I wrote a condensed version of the interview and sold it to The Times of Northwest Indiana. That article, titled, "Solving the mystery of Sherlock," appeared in The TImes on Friday, November 22, 1991, and may be viewed at the Times URL, http://nwitimes.com/articles/1991/11/22/export79205.txt.

Life went on, while many more interviews and reviews joined the Jeremy Brett/Sherlock Holmes article in my portfolio. In time, I forgot about the fact that the Times article had represented but a few minutes of the more-than-thirty that we spent being charmed by our ideal Sherlock that day. Then, recently--perhaps three weeks ago--something reawoke the memory of that interview and I discovered that there are a lot of web sites devoted to Jeremy Brett, and, especially, to his portrayal of Sherlock Holmes. Reading some of the material on those sites, I wanted very much to share the interview with other Brett devotees, and Sherlock fans.

Like most things we undertake, there are always the unexpected glitches to be overcome. I first had to find the full text of that interview, conducted 15 years earlier. Thanks to a packrat tendency to preserve such things, and the power of Macintosh's "Spotlight" search tool, I found that old file. However, it was a file that had been written, originally, in Wordstar, or some other, equally archaic, word processing software. After all, in those days, I was still using CP/M-driven computers, and the wonders of Lotus, AmiPro 3, WordPerfect, and (shudder!) MS Word, were still in the future. So the 11-page (single-spaced) document was filled with partial words, because translation into later word processors over the years had dropped end characters and, occasionally, small words from the document.

Surprisingly, examination of the text proved that the assertions about people being able to read jumbled and fragmented text are essentially correct, but it was a labor-intensive, word-by-word process and, frustratingly, some phrases were not comprehensible. Then, I thought, "Wait a minute--what if I still have the original recording of that interview?" Another intensive search revealed that I had kept it--in my library of "Ancient--Frequently Useless-Recordings."

The full text of that interview is contained below. Please note that it is laid out as follows: the letter, "J," in front of text indicates that it is Jeremy Brett's response; the letter, "K," indicates a question or comment by "Kevin" (that's me, folks). Three other people appear, briefly, in the interview. Diane Srebro, represented Jeremy Brett's host, Public Television Station WTTW, and her full name is used in front of her comments. Rob Brown, a Times photographer, whom I had arranged to have photograph Jeremy, to support the article that I planned to write for The Times, is represented by the letter, "R." My wife, Joann, was the third person. To avoid confusion, I use, "Joann," instead of merely her first initial.

Please note, too, that in one or two places I could not clarify what Jeremy said, despite seemingly endless (in one instance) replaying of the segment. In such cases, I've indicated parenthetically that it wasn't possible to clarify that part.

If you'd like to know what that experience was like, fifteen years ago, I can only say now that I believe that both Joann and I were probably "high" for a couple of weeks afterward--and, of course, every time we view an episode of Sherlock Holmes, we again mourn his passing so prematurely, while delighting in the memory of our brief contact with Jeremy Brett.

The November 6, 1991, Jeremy Brett interview begins here, when the tape recorder was first activated:

K That's something you wouldn't object to . . .
J No I certainly would not. He's (Sherlock Holmes) a great hero of mine, and he's kept my family in sandwiches for about the last nine years.
K Which is not bad, either.
J Not bad.
K We were glad that we were able to arrange an interview with you . . .
J Well it's a very exciting time, because I haven't been in Chicago for a while, but I love it so much. I've acted here twice before, [to Joann] once before you were born, I'm sure.
Joann: No.
J I was playing Troilus, in "Troilus and Cressida."
K Which theatre group were you with?
J It was the Old Vic, and it was at the Shubert. Rosemary Harris was my Cressida, and Coral Browne, Vincent Price's late wife, was Helen of Troy, and John Neville was Thersites, and we played here in 1957--and I remembered it vividly because it was summer and I was honored by being given a yachting thing, at the Chicago Yacht Club for the time I was here--and I was [whooshing sound] in the day time and I loved it! And, then, I came back as recently as 1980,and this great critic of yours, this lady . . .
K Hedi Weiss?
Diane Srebro: Cassidy.
K Claudia.
J Claudia--gave me a rave review for my "Dracula," and so we hada thrilling stay here that time. That, again, was at the Shubert. That was winter, and I stepped out of the Ambassador and went down to see my beloved Lake Michigan [My father, Joseph Murphy, emigrated from England to the United States as an adult--I always got a kick out of his pronunciation of "Michigan," which sounded like "Mitch-igan"--Jeremy pronounced it that way, also--kpm]--I mean, yours, too, but also mine, and the chill caught me, and I was dressed as badly as I am now.
K Oh my.
J I ran for my life! My nose was cold! My ears were cold! I hadn't realized just how cold it could be!
K It can be murderous.
J Yes.
K We had a group come through here a couple of years ago that was duplicating La Salle's trek through the region, and they got to this part of the area and the winter was so uncharacteristically cold that it almost put an end to La Salle.
J Really?
K Yeah. Had it been like that when he'd gone through, perhaps he would not have made it. So they were almost devastated by it, and they were much more familiar with the region.
J I think that's what makes Chicago so unbelievably special, is that lake. It's like what the sea does to Rio. I think that conjunction of water and industry and city is very, very, exciting.
K Oh, yeah--Nicholas Pennell was doing a program at the Court Theatre last year, "Brief Lives," and I had interviewed him, and he was talking about Chicago, compared to some of the other world class cities.
J He's a very nice lad.
K His interest in it was the neighborhoods, the existence of neighborhoods still.
J He moved. He was so good in "Forsyte Saga," and then he moved to Canada. And when I went to Canada in '76, I went with a little actress called Maggie Smith, and she was my Millamant when I played Mirribel in "The Way of the World." And on the other side of the company, there was Nick, and he was doing some absolutely beautiful work and had really become almost Canadian! The last time I saw him was when he came to England with Miss Smith, and they were doing "Virginia Wolff," and he was playing opposite her in that--in London.
K We love him.
J Nice man. Do give him my best when you speak to him. He's a nice man, Kevin. I hope I get a chance to talk to him again. Joann, he's been at Stratford for many a year now.
K Uh-huh.
J Yes. Bought a house. That's rooting, isn't it?
K We made a special trip up there just to see him in a--oh gosh, what's the guy's name--like the hair-dresser--Sassoon--[World War I English poet, Siegfried Sassoon] play about Sassoon. We drove up just to see it, and drove back the next morning.
J [To just-arriving Times photographer, Rob Brown.] Come in, come in! Hi, good morning!
R How are you?
J Very well, thank you.
K The Times?
R Rob Brown.
K Rob! It's been a while!
R No mustache.
K Yes, that's the difference.
J Dropped ten years. Took the 'tache off [Laughing.]
K We'll get started, and do whatever you wish to do.
J [To Rob Brown] I'll tell you what--get in as close as you can, and crawl across the table, but take me while I'm chatting. I always think they're better don't you?
R Yeah.
K Rob does some excellent work, too. He did that front piece section . . .
J I'll show you, just to intimidate you, my favorite one so far. [Displays a photograph.] I think that one's quite fun.
K [Laughs.]
R That is good! It's really good.
J Just to give you a standard.
K Rob did Nick Pennell and Nick Rudall together when they were preparing for "Brief Lives" for a cover on one of The Times sections, and it was one of the best--for me--I looked at it and thought, "That's the way I think of these guys." He had captured them perfectly.
R That's good to know. Thank you. One thing, Kevin, would you be comfortable sitting right here?
K Sure.
R That would give me . . .
J A chance to get in?
K Let me move these [My cassette recorders]. [To Jeremy.] I don't write well at all, and I can't read what I write.
J I prefer these, but also I prefer them because I'm inclined, when someone's writing, to slow down for them, and then I lose my train of thought. I like these.
K Good--I'm glad. One of the things that I wanted to deal with rather quickly was the fact that I don't trust press kits. For instance, the press kit that was given out prior to your arrival said that James Mason played Holmes. I know he played Watson.
J Exactly.
K In Murder by Decree.
J That was with Chris Plummer.
K Yeah, right, Plummer was Holmes. Sometimes they [Referring to the afore-mentioned press kit] almost hit the target but don't,and one of the thingsthat they said about you and I found I couldn't accept it--they quote an unidentified critic as saying that you had captured Holmes' coldness perfectly, and as we watch--Joann and I--we don't see the coldness. We see barely suppressed, deep emotion that is controlled by tight intellect. But, as we see it, there is a depth of emotion there that just is barely constrained . . .
J But, you must understand that I have upset the applecart completely! Really, seriously, because--I mean, over the last nine years I've upset the applecart--because my studios, God bless them, they're wonderful--Granada Studios--have allowed me--with me begging, of course--to do Doyle--to do his stories. Also, to follow the Paget drawings which accompany the stories, for the look of him. And many Sherlockians whom I've met--there is a breed of mature people called "Sherlockian"--have their image, which is nothing to do with Doyle. Sherlockians believe that Watson wrote the stories, and that Doyle was the literary agent, but we know otherwise. But that's what they believe. So, I can be in a room in London, in Oslo, or Japan--we're now showing to 84 countries, and into the room will comeSherlockians--all dressed wrongly! He only wore the deerstalker in the country. He never smoked a calabash. That was brought in by William Gillette at the turn of the century. I think I know why. Because it's the one pipe that you can keep alight, and if you're acting on stage, you don't want your pipe to be going out all the time. He [Sherlock Holmes] smoked a long thin cherrywood in his disputatious moods, and the little clay pipe in his meditative moods. It's there at the beginning of "The Copper Beeches." So, when I started to do Doyle, I upset quite a few of the people who were the aficionados, because they were wearing the cliche. So, I get all sorts of different impressions, which I find fascinating! As far as playing it is concerned, of course I'm completely miscast, which is probably just as well, because it's much more challenging to play a part that you're not really suited for. I had to hide a lot of me, because I'm a heroic actor. You know, I was Olivier's young leading man at his National Theatre for four years. I played parts like King Arthur, Henry V, Macbeth. Those are very heroic. So, suddenly to be put into this constriction was different. And I'm afraid I peek through, and I try not to, and for me to play the cold, calculating person who is totally self-sufficient--which is exactly what Doyle wants--is difficult for me, because I love company.
K Hmmm.
J I really enjoy--[Reference to Rob and the camera] look at this lad, this great eye looking at me----I really enjoy company! And, so, I need a Watson [Laughing heartily] I mean, I need Watson-as a man-me--especially as it's played by David Burke and Edward Hardwicke. And that's the reason why, of course, the whole thing was set up, which is to put literature straight.
K Um-hmm.
J For Doyle, in regard to Watson.
K Yeah, thank God.
J That he wasn't the fool.
K Nigel Bruce.
J I'll not mention any names.
K I liked Nigel Bruce as an actor, but I think they constrained him quite a bit, too. He was capable of doing more . . .
J Oh, yes.
K ...than what they had him do.
J But because he was Nigel, and I guess--it's interesting. I don't know. You see, Basil Rathbone is my Holmes, and always will be, because he's the one I saw.
K Uh-hmm, we grew up with him.
J That's right. But when one starts to take literature seriously and, for Doyle's sake, I'm thrilled, because his daughter is still alive. Dame Jean Conan Doyle is still very much alive and living in London. And, so, for the first time in a hundred years--unbelievably-- Doyle's stories are being done. And I can't think why they've never been done before.
K I don't know, but I think we find it's much more credible to us--I don't believe in the "human machine," first of all. We [Joann and I] come out of the behavioral sciences. That's our background. I don't believe in the human machine. I think you can play that game, you can try, but people are not calculators with voices and, so, what you're showing, I think, is much more believable, in that I suspect that's where Holmes was.
J But, I'll tell you what I had to do, because I've had a long talk with a very great, famous actor in England, called Robert Stephens--with an e--and he had just given a brilliant Falstaff at Stratford-upon-Avon, and we were talking last June about it. And he played Sherlock Holmes in the Billy Wilder film, "The Private Life of Sherlock Holmes," with Colin Blakely playing Watson, and he said, "You must remember, Holmes is hollow. And it's all brilliant trim, so you have to fill it, give him an inner life." And, of course, that's what an actor does. I'm what I call a "becomer." I'm one of those actors. You know, I squeeze myself out and draw in the moisture of the person I'm playing and--um--quite safe--[unclear phrase] on the sponge and that's the way you squeeze the moisture out of the sponge, just to hold the moisture of the character. But, with Holmes, one has to invent an inner life, because Doyle's given him this veneer. I call him a statue--like marble. And, truthfully, of course, he's better read. That's the truth. Doyle's stories are betterread, and to be foolish enough to try and lift him and visualize him, then you come up against all sorts of problems. But, what I think is strange is that no one has ever trusted Doyle before my studios, Granada Studios--and we're doing the stories, and that's why they're selling to 84 countries...
K Um-hm.
J ...because they're doing Doyle!
K It's not surprising. I think we destroyed the Tarzan series and made it rather ridiculous, whereas the story, itself, was a rather interesting story.
J It's a wonderful story isn't it?
K Yeah, but it has never come across on the screen. Frankenstein, the same thing...
J That's right.
K ...has never come across----What effect has Sherlock had on your career?
J Made it! I think the place for romantic heroes was getting smaller and smaller. I mean, I can't see myself, really, in "The Terminator."
K [Laughs in agreement.]
Joann: That's good!
J Maybe I could just sort of creep in and move a little close to Al Pacino in "Goodfellows," but I'd have to wear a lot of makeup. Umm, no, I think that romantic heroes are sort of in low demand. The world needed heroes--in spite of what Tina Turner says.
K Um-hm, um-hm.
J And, um, well, what I didn't realize was "You-know-who: S.H." is a great hero to the children. That, I've learned over the last nine years, largely from the play I did. I commissioned a play called, "The Secret of you-know-who," for his 100th birthday.
K This is the one you're hoping to bring to the States yet.
J I don't think I've got time now, because I'm going to complete the canon. That will take until 1995. Then, I think I'll just pass the torch on to Daniel Day Lewis, I think. Let him get on with it, because I'll be over the hill by then. Umm, it's the fact that I used to say to the house manager that there are so many empty seats. He'd say, "Mr. Brett, just look again. The lights are on, now. Look again." And, of course [motioning to show eyes just barely peeking over the back of the seats]--children! Little faces! Absolutely unbelievable! They adored him, and I think I know why. I think it's to do--this has all happened over the last year--this particular idea has only recently come to me--through a little boy, called Michael McClure II, age 8, of St. Louis, about four weeks ago. And he gave me a picture of Holmes killing a dragon. And I said, "Michael...," and he said, "Oh, he kills my dragons. I don't have nightmares anymore!
K Oh, my!
J Wow! Good news! Then, there are the children who recognize that Doyle has endowed his hero with all the antennae and sensibilities of a child--that's what his deduction and intuition is all about! Children lose it at the age of 8, I think, when they're told not to look out of the window, get on with their books, and it closes in. Whereas Doyle endowed "you-know-who" with all that. That's why the kids absolutely love him. He's also a great upholder of the law. So, when Mom and Dad are fighting, they say "I'll get S.H.," and they've got a little strength there. So, he is a hero to the children. Three-year-old Solomon is there in Dallas--a little aficionado--has all my films, and knows every word! I couldn't believe it! Solomon!
K My mother's first foray into literature was through Sherlock Holmes. Despite parental censorship, she was able to get into it.
Joann: Through the priest.
K It had a profound impact on her.
J [Whispered, incredulously.] Really!
K So, it goes back a long way, too.
J I thinkDoyle has been taking care of children--of all ages--for a long time.
K Do you have the opportunity, now, having become so involved in the Holmes series, to do much of other kinds of theatre work?
J Yes, they're wonderful, and act like my angels, as I call them--the "money"--that's a theatrical term. "St. Peter"--Peter A. Steen--who is the head of Mobil, has been simply marvelous to me. I took a year off this year, and I did sixfilms last year, which, I think you are seeing now in November--five, and the one next year for the Pledge--and I thought I'd better stop. I'd better see if I have got any hobbies left. Can I play the piano? Can I still ride a horse? Can I do my archery? The answer is, "Yes." And I discovered that by March [laughing], so it wasn't quite a year, but I rang up Peter and said, "If I said I was prepared to complete the canon, what would you say?" and he said, "You would have our blessing. It's our most successful series," he said, "but one thing"--and this is what's amazing--he said, "You must have breaks so you can go and do other things." [Overcome with emotion.] Stunning! So I will be going off--the last play that I did was, of course, "The Secret (of you-know-who)." The one before that was in '85, when I did "Aren't We All?" on Broadway with two brilliant little juveniles called Rex Harrison and Claudette Colbert, and little Lynn-y Redgrave. Claudette said a thing which I love her so much for. She said "I've given Rex top billing, but it's me they come to see!" [Laughs heartily.] And she's right! She's right. Go down to the stage door, and they've got photographs of her as Cleopatra still showing--with Clark Gable.
K One of the P.R releases that I read quite some time ago--probably an article, actually, somewhere, indicated that not only have you been in My Fair Lady, as Freddie, but also that singing was something that you are very much involved in.
J Well, it's very sad, really, because I really wanted to be a singer more than anything else. I mean, I really wanted to be an opera singer. And I had the most--Iknow because I've heard it on record--the most marvelous soprano voice. So, when I was 8, 9, 10, 11, 12, I was singing things like "Ye Are Now Sorrowful,"from the Brahms "Requiem." I was in every major cathedral in England. And "with histrionic tendencies. . ."
K [Chuckles.]
J ...I was accused of. I would act out these wonderful arias. And, then, the voice broke, and I went to Rome to make a film of "War and Peace," and I was there nine months, and I met a Professor [unclear name], a wonderful singing teacher, and she said, "You have a wonderful tenor voice. Now, are you going to take this seriously--which means, really, you should stop acting. You really have got to dedicate your life to this." And I made some noises in her room which nearly excited me as much as my soprano voice, but the trouble was that my soprano voice was completely and utterly natural. It was like Elizabeth Schwarzkopf. My tenor voice was work. And I sustained it for a while and, of course, the cream on top of the coffee was "My Fair Lady." But what is so sad about our profession is the fact that if you sing, you are not taken seriously as an actor. And I know Michael Crawford is not going to have that problem, because he came to singing late. But I'm talking of the beginning, and I had this real dilemma, and the last thing I sang was Danilo, in "The Merry Widow." And, then, I stopped, because I realized I was being thought of as a singing actor, and that's a different genre, apart. So, I stopped. It was a sadness--but, now, not really. I'd rather listen, oddly enough. Singing is extremely exacting, and I'm bowled over by, especially, the tenors, because it's not a natural placing of the voice. And your little cordswork very, very, hard, indeed. You can't be in a draft. You very seldom---you can't speak for three days before you sing. It is a complete dedication. And when I see Pavarotti, or I see Placido, when I see Jose Carreras, it is a miracle of sound. And I don't miss that. I'd rather listen.
K And perform. It mentioned that you wanted to start your own theatre in London.
J No, not now. I tell you, it's all changed. I've done that. I did that in Canada. I went to Canada and I did a production of "The Tempest," in 1982. I produced it, directed it, and played Prospero. I hobbled away afterwards. I was exhausted. I also did it with Robin Phillips, the great Robin Phillips, who is still in Canada. We did a year of--company theatre, it was called--in Greenwich. Again, I tottered away. And I think my services would be most appreciated by possibly the new young Olivier, Kenneth Brannagh, and I may, at a given moment, goand offer my services and say "Can I sweep the stage?" or "Is there anything I can do for you?" I think I should join a company, not create one, and make my contribution that way as a--whatever--a talking head, whatever. "Pick my brains. Do you want to know anything about Lawrence Olivier, my mentor? Is there anything that he said that might help you?" One thing, of course, Olivier said, "Every actor should have a full orchestra at his beck and call, vocally, and the body of a god." And he had both and he was 57 at the time. So people could sort of bounce off me. I think to actually go, "Here I am, this is the new company," is misleading. I've got to go and do something with the National [Word unclear]. They keep asking me, too. And I will, but it's just a question of when.
K I hope sometime you get an opportunity to do something with the Court, which is our local--I think--is our local classy theatre.
J Well, you've got a springboard in this town of immense talent. I mean, Broadway is practically furnished by Chicago.
K The region that--I do theater reviews primarily, not TV--and I cover community theater, and I'm amazed at the talent that we have. These are so-called amateurs, and they are anything but.
J This is your "competence center" of the United States of America, theatrically.
K Oh, yeah, I wouldn't argue with that.
J I think this is where it happens. It's amazing. If you go through the cast lists of plays on Broadway, they're nearly all from one of your theaters here.
K Um-hm. Yeah, we do furnish quite a few these days.
J That's right.
K Was the series success a surprise initially to you? And to Granada? Were you surprised by it?
J [Pause.] Stunned! [He chuckles.] I mean, the thing was that none of us wanted to do it--least of all me. I thought, well, first of all, detection is not really my cup of tea. Um--I prefer history and pictures like our glorious Jane Seymour. No. And my son David said "Dad"--we went to this dinner when I was asked--and he said, "You don't really want to do it, do you?" And I said, "No, I don't. I think it's an old chestnut. It's been done." Anyway, it was taken away, because it was cancelled. So, I was thrilled, and I shoved off to Canada and did "The Tempest," and while I was doing Browning, in "The Barretts of Wimpole Street," with beloved Jane Lapotaire, as my Elizabeth Barrett--wonderful actress--I think you may have seen her play Edith Piaf on Broadway.
K I missed the production.
J She was a wonderful marvelous actress. And they came back to me. And in the time, my host in Barbados, Senator Dean--after I had done "The Tempest"--I was thinking of committing it to film, and I was looking for a location--and he had the canon. It had been given to him by his nephew. So, I read the stories, one a night. And, so, when they came back, I found all sorts of things that had not been done, so I thought, "Yes, I'd like to have a go." It was only six films--with an option for a further seven. Well, we finished the first six. They were sold at the Cannes Film Festival to 35 countries, straight off. So, we did the next seven. That took us to the end of '84. And, suddenly, people began to want to be in them. Guest stars wanted--queued up--to come in--lighting cameramen wanted to light it. The studio suddenly began to move toward it. Umm--I didn't have to fight quite so hard for Doyle, because every time I went to rehearsal, I'd put down the canon and say, "I love your adaptation. Bless you. Lovely, very nice, but don't you think that this is better?" Well, that went on. They used to dread my doing this!
K [Chuckles.]
J So, the first week of rehearsal was Doyle, getting back to Doyle. Then, the second week was practicing, and then, five weeks filming. Slowly, slowly, slowly, it began to dawn on all of us that Doyle was being heard. You see, in London, in1982, when I came back and tried to buy The Strand Magazine, I couldn't find one. I couldn't find Doyle's complete works. I did, eventually find one in Foyles, in London, and it was an American edition, which had been sent over and not been collected, and that's how I got one. Now, Doyle is everywhere. Everywhere! So, that's pleasing to Dame Jean, particularly, because she's the last of her line . . .
K That's sad.
J . . . and longs for Daddy to be in his proper place.
K We have the American version. It's quite old now, but I'm glad we were able to get it . . .
J It's in a red cover.
K It's--yeah, I think so.
J It is. That's the one I've got.
K It's quite thick
J That's right.
K An excellent book. We enjoyed it very much. "Charles Augustus Milverton"--is that the sixth one that is going to be...?
J No. That's the one I just completed. That is an incredible story! When you read something that says, "Lady Diane empties six shots into Milverton's chest, and rams the heel of her shoe into his mouth and screws it to the ground..." that's fine, but when you do it, it's not pretty. [Laughs.] And I had a wonderful leading lady in this last film. Dame Gwen Ffrangcon Davies. She's 101, which is intriguing, because Doyle, of course, would have seen her, because he died in 1930, and she was, of course, born in 1890, and we were filming, and she said, "That lady is improperly dressed." And I said, "What do you mean, Dame Gwen?" And she said, "Well, I know, because I was there. She would have on a hessian petticoat--very starched petticoat--and she would lift her dress as she walked across the gravel." Can't knock that, can't question that. She was there. So, that was thrilling. Lovely, lovely, lovely, lady.
K When will we have the opportunity to see that?
J That will be Christmas for us in England, and I think Christmas for you, next year.
K Uh-huh.
J I'm going back to do a pick-up shot on Monday and I think the composer moves in--the brilliant Patrick Gowers--the following day, and I think, December 17, there's a press showing in London and then, I think, it's coming out on January 2nd.
K What kind of schedule are you on now, on this tour of the United States? Are you on a whirlwind tour, or do you get a chance to breathe?
J Yes. I've had this holiday. This is all a gift from Mobil's "St. Peter." They said--I've just finished the movie--it's a two-hour special--"Would you like to see the world?" And I said, "Yes." They said, "Well, if you'll trust us, we'll get it all set up." And I said, "You must remember, I just finished filming and really need a 'hol'--(holiday)." And they said, "Fine." So, I flew to New York. I think it was about September 28th. And I had a week there. I had days off, so I could go to the galleries, or I could go to hear some opera. I even could tiptoe into a theatre. Then, I had a week in Los Angeles, in the Beverly Hills Hotel, where I could swim between interviews. So, I mean, I would, for example, swim three lengths, come out and meet someone. So, I got fit. And I had three days off there. Then, I went to Atlanta--no I didn't--I went to Dallas, which I fell in love with--absolutely fell in love with Dallas! I was in the city-within-the-city, called Loews Anatole Hotel. It was built for Reagan, in 1984. And I was in the tower, which is immensely high and very metaphysical--that's the only way I can put it--and, then, I went to Missouri-[Jeremy sings a snippet of "Across the Wide Missouri"] and I flew in, and I heard from this wonderful old man what I must do when I come back, and that is, take the "Mississippi Delta Queen" from St. Louis down to New Orleans. It's a very slow--[Makes a noise like a paddle-wheel boat] "bum-bum-bum bum"--boat, and it takes seven days, so I have to come back and do that. Then, of course, I went to Atlanta, which was on fire with excitement with the Olympics--and the Braves, while I was there. And, so, I wore my tomahawk, in spite of Jane Fonda . . .
K [Laughs.]
J And, then, I nipped up to Detroit and I put one foot in Canada, and beamed a smile on C.B.C. right across to Newfoundland and right off to Vancouver. So, that was nice. And one of my greatest fans is J.P., aged 6, of Resolute Bay, Alaska.
K Oh, gosh!
J And he wrote me this letter saying, "Please do more Sherlock Holmes. Makes my Daddy happy." So, I was able to say that I was going to . . . and I was able to wave to him.
K Excellent.
J Then, I went from there to Philadelphia, which is wonderful, because I love Philadelphia. Been there before. Washington, of course. Been there before. Love Washington! Seat of power--all those helicopters, going "whung-whung," all going off for their weekend holidays.
K [Laughs.]
J That was thrilling. Then it was Boston. A little snobbish for me, Boston, but all right. But WGBH is very important to me, because that's my wife's station. My late wife created "Mystery Theatre," "Classic Theatre," "Piccadilly Circus," and sustained "Masterpiece Theatre" for the last 17 years of her life.
K Was she the original producer of . . .?
J Yes.
K Oh, God!
J Joan Wilson.
K Yes.
J And she died. Really, this is in memoriam to her, this whole trip, really--and her children. [Pauses.] Yes, it has been a while to see that point of view. I've been able to talk about her, and make sure that she is remembered.
K You mentioned your son, David, among the children . . .
J David is . . . from my first marriage.
K Are any of the children theatrically inclined?
J No, none of them. David is now a painter, and a good one, an artist.
K In the arts.
J In the arts. Caleb is a lawyer. And a good one. And an extremely interesting person. He's just travelled the world, slowly, over three years, and he's really a very remarkable man. And my Rebecca--and she is--"the dimpled one," I call her. She has one dimple caused by a tooth brush when she was young. And she is remarkable! She has three glorious children, who I was with last week. The newest is called Christine. She's this big [holds hands about a foot apart]--with a mane of hair--born with a mane of hair! Incredible! They're lovely. So all that's been marvelous. This has been like a holiday.
K How long will you be in Chicago?
J I have to fly home, sadly, on Thursday night, because I've got to get myself turned around, to film by Monday. I was hoping I might be able to pinch one more day, but I must get back, because I can sleep it off--the jet-lag--and make quite sure I'm not too hollow-eyed.
Diane Srebro: Kevin, I hate to interrupt, but I've got somebody else.
K Time? O.K., let's wrap it up. Are there things that we haven't discussed that we should have, before we wrap it up here? Anything that we didn't get from you that we should, in terms of questions asked?
J Yes, there's just one, and that is Edward Hardwicke sends much love, but he's doing a play.
K: That ties in with our conclusion: On behalf of Joann and me, and all of us who appreciate the series, we wanted to thank you both, because your characterizations--and the meshing of those characters--for us, are of a level of perfection that we delight in--we truly delight in. So, please, convey that to him.
J Right.
K Okay.
[Kevin shook Jeremy's hand, and Jeremy blew a parting kiss at Joann.]
###
===============================================

Filmography: Jeremy Brett

Moll Flanders
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The Casebook of Sherlock Holmes: The Boscombe Valley Mystery
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The Casebook of Sherlock Holmes: The Illustrious Client
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The Casebook of Sherlock Holmes: The Problem of Thor Bridge
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The Casebook of Sherlock Holmes: Shoscombe Old Place
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The Casebook of Sherlock Holmes: The Creeping Man
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The Casebook of Sherlock Holmes: The Disappearance of Lady Frances Carfax
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The Tragedy of Macbeth
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The Medusa Touch
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Merchant of Venice
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An Ideal Husband
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My Fair Lady
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War and Peace
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