| آموزش هاي ويديويی | |3D Max|

[kkkaktoos]

سلام درباره 3d-palace - architecture in 3ds max visualisation set 3 پیغام های خصوصی تون رو چک کنید.ممنون.

مجموعه 3 رو من هم می خوام کسی داره

 

[yas1365]

 

[www_3d_boy3]

این آموزش رو از دست ندید
http://hotfile.com/dl/102015394/c613272/Fxphd_3DS_MaxForCompositors.part1.rar.html
http://hotfile.com/dl/102015395/ef2551c/Fxphd_3DS_MaxForCompositors.part2.rar.html
http://hotfile.com/dl/102015396/f508f08/Fxphd_3DS_MaxForCompositors.part3.rar.html
http://hotfile.com/dl/102015397/189fc01/Fxphd_3DS_MaxForCompositors.part4.rar.html
http://hotfile.com/dl/102015398/477ea28/Fxphd_3DS_MaxForCompositors.part5.rar.html

اموزش کامپوزیت فقط مخصوص مکس

 

[tarkan_tan]

3D-Palace – Advanced Car Modelling-The lotus Elise
​

حجم فایل:470.1 Mb

http://www.filesonic.com/file/73411071/acm.part1.rar
http://www.filesonic.com/file/73411073/acm.part2.rar
http://www.filesonic.com/file/73411075/acm.part3.rar
http://www.filesonic.com/file/73411077/acm.part4.rar
http://www.filesonic.com/file/73411079/acm.part5.rar

http://uploadfa.com/files/3/aqc41jub0mkya7/acm.part5.rar
​

 

[tarkan_tan]

Master Classes 2011

VitalyBulgarov - 3D Design for Production

710.21 MB

In this lecture, Vitaly shows his process of creating a fully rendered 3d design for production-oriented pipelines. Using the example of an alien bust Vitaly goes through the main steps of creating a sci-fi character design from scratch. He begins by making a quick bust sketch in ZBrush. He then creates a detailed suit design in XSI using the block-out as a guideline for the proportions of the alien bust. Doing this, Vitaly shows the techniques and tools he uses to create complicated surfaces like multi-layered metal plates, rubber pads, tubes, and attachments. Solving design on the fly, without making any preliminary sketches, he builds a fully detailed mesh for the helmet and suit, explaining why certain design decisions are made. Once the model is complete, Vitaly takes it into Keyshot for raytrace rendering and then brings the renders to Photoshop to finalize the design, push the overall look and bring more personality to the character by adding final textures and detail enhancements..

لینکها تا پاک نشدن دانلود کنین

[SIZE=6][COLOR=Red]http://www.fileserve.com/list/ff9ZPXK[/COLOR][/SIZE]

[SIZE=6][COLOR=Red]http://www.filesonic.com/folder/1148511[/COLOR][/SIZE]

دانلود با لینک مستقیم:
http://premium.irleech.com/files/vb3D_Design_for_prod.part1__.rar
http://premium.irleech.com/files/vb3D_Design_for_prod.part2__.rar
http://premium.irleech.com/files/vb3D_Design_for_prod.part3__.rar
http://premium.irleech.com/files/vb3D_Design_for_prod.part4__.rar
​

 

[tarkan_tan]

Master Classes 2011

Master Classes 2011 Tutorials by Alex Alvarez, Gareth Jensen and Vitaly Bulgarov

5.56 GB​

This is a great opportunity to learn from the industry's masters and gain insight into their technique, thought process and workflow. Get a massive dose of inspiration, motivation and education while sharing the experience with peers from around the world.
Alex Alvarez : The Making of "Dirge"
In this master class, Alex Alvarez will discuss the creation of Dirge,his hellish new animated personal image. Created as an animated loop at 2560x1600 for viewing on a 30" framed display, Dirge was created using Maya, ZBrush, Photoshop, After Effects and Mental Ray. The entire workflow will be explored, including character and environment design, effects, animation, lighting and compositing.
Gareth Jensen : Creating Realistic Skin with Mari
This class will focus on painting high-resolution organic texture maps for film industry production, utilizing the remarkably powerful and versatile texture painting software Mari. Gareth will demonstrate a range of tricks and techniques that he often utilizes to create the various qualities of lifelike and believable skin.
Gareth will take a sculpted bust by character designer Scott Spencer from start to finished render. In addition to demonstrating the tools and his workflow, Gareth will be covering topics such as the importance of reference and the qualities of different regions of skin.
Vitaly Bulgarov : 3D Design for Production
In this lecture, Vitaly Bulgarov shows his process of creating a fully rendered 3D design for production-oriented pipelines. Using the example of an alien bust, Vitaly goes through the main steps of creating a sci-fi character design from scratch. He
begins by making a quick bust sketch in ZBrush. He then creates a detailed suit design in XSI using the block-out as a guideline for the proportions of the alien bust. By doing this, Vitaly shows the techniques and tools he uses to create complicated surfaces like multi-layered metal plates, rubber pads, tubes, and attachments. Solving design on the fly, without making any preliminary sketches, he builds a fully detailed mesh for the helmet and suit, explaining why certain design decisions are made.
Once themodel is complete, Vitaly takes it into Keyshot for raytrace rendering and then brings the renders to Photoshop to finalize the design, push the overall look and bring more personality to the character by adding final textures and detail enhancements.

لینکها تا پاک نشدن دانلود کنین
​

http://www.filesonic.com/folder/1208081

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[tarkan_tan]

Master Classes 2011

Master Classes 2011-Alex Alvarez – The Making of Dirge 2011

4.22Gb

In this master class, Alex Alvarez will discuss the creation of Dirge, his hellish new animated personal image. Created as an animated loop at 2560×1600 for viewing on a 30″ framed display, Dirge was created using Maya, ZBrush, Photoshop, After Effects and Mental Ray. The entire workflow will be explored, including character and environment design, effects, animation, lighting and compositing.
​

لینکها تا پاک نشدن دانلود کنین

http://www.filesonic.com/file/108119092/Gn_AlexAlvarezTheMakingOfDirge.part01.rar
http://www.filesonic.com/file/108075811/Gn_AlexAlvarezTheMakingOfDirge.part02.rar
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http://www.filesonic.com/file/108157471/Gn_AlexAlvarezTheMakingOfDirge.part42.rar

 

[tarkan_tan]

Master Classes 2011

Master Classes 2011-Texture Painting - Ted Davis

552Mb
​

Ted Davis shows a high level Texture painting workflow
​

لینکها تا پاک نشدن دانلود کنین​

http://www.filesonic.com/file/108178231/Gn_TexturePaintingTedDavis.part1.rar
http://www.filesonic.com/file/108178811/Gn_TexturePaintingTedDavis.part2.rar
http://www.filesonic.com/file/108192962/Gn_TexturePaintingTedDavis.part3.rar
http://www.filesonic.com/file/108195762/Gn_TexturePaintingTedDavis.part4.rar
http://www.filesonic.com/file/108194592/Gn_TexturePaintingTedDavis.part5.rar
http://www.filesonic.com/file/108189492/Gn_TexturePaintingTedDavis.part6.rar

 

[tarkan_tan]

Master Classes 2011

Master Classes 2011-Warhammer behind the scenes - Jerome Dejean and Panel

772Mb

Creators of the game Warhammer sit down panel style during a Gnomon Workshop to give details about the process of making BIG games.Find out how decisions are made, products are generated, and the thinking that inspires the industry.
​

لینکها تا پاک نشدن دانلود کنین
​

http://www.filesonic.com/file/108186551/Gn_WarhammerBehindTtheScenes.part1.rar
http://www.filesonic.com/file/108195672/Gn_WarhammerBehindTtheScenes.part2.rar
http://www.filesonic.com/file/108188781/Gn_WarhammerBehindTtheScenes.part3.rar
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http://www.filesonic.com/file/108190141/Gn_WarhammerBehindTtheScenes.part5.rar
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http://www.filesonic.com/file/108189211/Gn_WarhammerBehindTtheScenes.part8.rar

 

[tarkan_tan]

Master Classes 2011-Vitaly Bulgarov – 3D Design for Production 2011

788Mb

In this lecture, Vitaly Bulgarov shows his process of creating a fully rendered 3D design for production-oriented pipelines. Using the example of an alien bust, Vitaly goes through the main steps of creating a sci-fi character design from scratch.He begins by making a quick bust sketch in ZBrush. He then creates a detailed suit design in XSI using the block-out as a guideline for the proportions of the alien bust. By doing this, Vitaly shows the techniques and tools he uses to create complicated surfaces like multi-layered metal plates, rubber pads, tubes, and attachments. Solving design on the fly, without making any preliminary sketches, he builds a fully detailed mesh for the helmet and suit, explaining why certain design decisions are made.Once the model is complete, Vitaly takes it into Keyshot for raytrace rendering and then brings the renders to Photoshop to finalize the design, push the overall look and bring more personality to the character by adding final textures and detail enhancements.
​

لینکها تا پاک نشدن دانلود کنین
​

http://www.filesonic.com/file/106940022/G_...ction.part1.rar
http://www.filesonic.com/file/106934712/G_...ction.part2.rar
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http://www.filesonic.com/file/106934732/G_...ction.part8.rar

 

[tarkan_tan]

Master Classes 2011

Master Classes 2011-Creating Realistic Skin with Mari

1.12Gb

This class will focus on painting high-resolution organic texture maps for film industry production, utilizing the remarkably powerful and versatile texture painting software Mari. Gareth will demonstrate a range of tricks and techniques that he often utilizes to create the various qualities of lifelike and believable skin.Gareth will take a sculpted bust by character designer Scott Spencer from start to finished render. In addition to demonstrating the tools and his workflow, Gareth will be covering topics such as the importance of reference and the qualities of different regions of skin.
​

لینکها تا پاک نشدن دانلود کنین
​

http://www.filesonic.com/file/108157101/Gn_CreatingRealisticSkin.part01.rar
http://www.filesonic.com/file/108159151/Gn_CreatingRealisticSkin.part02.rar
http://www.filesonic.com/file/108156481/Gn_CreatingRealisticSkin.part03.rar
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http://www.filesonic.com/file/108176661/Gn_CreatingRealisticSkin.part11.rar
http://www.filesonic.com/file/108170361/Gn_CreatingRealisticSkin.part12.rar

 

[tarkan_tan]

Lighting and Rendering Series

Lighting and Rendering Series

1.3GB

Jeff is a self-taught freelance digital artist and has been freelancing for the past six years. In that time he has worked on many projects, a lot of which have been mechanical illustrations for companies like Johnson Controls, Trane, Carrier, and Honeywell. More recently he has spent some time teaching on-site mental ray classes, which he enjoys as it has allowed him to travel around the country and meet a lot of really great people.
Rendering Techniques

Creating Clay Renders
A "Clay Render” refers to a basic shaded render where it’s easy to read all the details in your meshes.


NPR – Toon Rendering
Learn how to create NPR (Non-Photorealistic Renders) in 3ds Max using the Ink&Paint material and the mental ray contour shaders.


Indirect Illumination
Final Gather
This video will explain the basics of using mental ray’s Final Gather indirect illumination method in 3ds Max.


Global Illumination
This video will explain the basics of using mental ray’s Global Illumination indirect illumination method in 3ds Max.

Lighting Digital Sets


Architectural Interiors – Day
Learn how to setup & render a basic (still-frame) architectural interior daylight scene using 3ds Max & mental ray.


Architectural Interiors – Night
Learn how to setup & render a basic (still-frame) architectural interior evening scene using 3ds Max & mental ray.


Architectural Exteriors – Day
Learn how to setup & render a basic (still-frame) architectural exterior daylight scene using 3ds Max & mental ray.


Architectural Exteriors – Night
Learn how to setup & render a basic (still-frame) architectural exterior evening scene using 3ds Max & mental ray.

http://hotfile.com/dl/106232778/be523b3/3Ds_Architectur_Renders.part1.rar.html
http://hotfile.com/dl/106234654/2c95f48/3Ds_Architectur_Renders.part2.rar.html
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http://www.filesonic.com/file/108990452/3Ds_Architectur_Renders.part1.rar
http://www.filesonic.com/file/108993152/3Ds_Architectur_Renders.part2.rar
http://www.filesonic.com/file/108991352/3Ds_Architectur_Renders.part3.rar
http://www.filesonic.com/file/108993342/3Ds_Architectur_Renders.part4.rar

 

[tarkan_tan]

Alex Jaeger - Vehicle Design vol 1 & 2 FULL

Alex Jaeger - Vehicle Design vol 1 & 2 FULL

2.05Gb

Vehicle Design vol 1
​

In this series, Alex Jaeger demonstrates his process for designing a futuristic military vehicle based on descriptions from a science fiction screenplay. In this second volume, with an emphasis on the production pipeline, he shows how to break down a three-quarter view of a vehicle design into orthographic views for a 3D modeler, and then demonstrates the process for rendering that three-quarter view into a final presentation piece in Adobe Photoshop®. Alex begins with the side orthographic view, showing you exactly how to correctly measure and position each element from your design. He leads you through his workflow to then create top, front, and back views, as well as alternates for "on-road" and "off-road" modes. Throughout the orthographic demo, Alex focuses on keeping the design accurate, well organized and easy for a 3D modeler to "read". He then moves on to rendering the three-quarter view in Photoshop, adding details to the line drawing and finishing with color, lighting, graphics, photo-textures, scale cues and atmosphere to present the vehicle in its world and bring the final design to life.

Vehicle Design vol 2
​

In this series, Alex Jaeger demonstrates his process for designing a futuristic military vehicle based on descriptions from a science fiction screenplay. In this second volume, with an emphasis on the production pipeline, he shows how to break down a three-quarter view of a vehicle design into orthographic views for a 3D modeler, and then demonstrates the process for rendering that three-quarter view into a final presentation piece in Adobe Photoshop®. Alex begins with the side orthographic view, showing you exactly how to correctly measure and position each element from your design. He leads you through his workflow to then create top, front, and back views, as well as alternates for "on-road" and "off-road" modes. Throughout the orthographic demo, Alex focuses on keeping the design accurate, well organized and easy for a 3D modeler to "read". He then moves on to rendering the three-quarter view in Photoshop, adding details to the line drawing and finishing with color, lighting, graphics, photo-textures, scale cues and atmosphere to present the vehicle in its world and bring the final design to life.
​

[/URL][URL]http://www.filesonic.com/file/102503752/G_[/URL] VehicleDesignVol1-2Full.part01.rar
[URL]http://www.filesonic.com/file/102328401/G_[/URL] VehicleDesignVol1-2Full.part02.rar
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[URL]http://www.filesonic.com/file/102386511/G_[/URL] VehicleDesignVol1-2Full.part17.rar
[URL]http://www.filesonic.com/file/102343901/G_[/URL] VehicleDesignVol1-2Full.part18.rar
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​

http://www.filesonic.com/file/102503752/G_

 

[tarkan_tan]

Master Classes 2011-Rick Grandy: Digital Character Physiology

207Mb

This course covering the design and construction of digital characters will focus on motion; primarily skeletal animation and surface deformation. Rick Grandy will discuss the biomechanics of real animals, taking the knowledge learned from nature and using it to help create creatures that move in a believable way. He’ll also discuss when to break the rules, and how to improve the performance of your characters.
​

[URL]http://www.filesonic.com/file/123088751/G_RickGrandy.part1.rar[/URL]
 [URL]http://www.filesonic.com/file/123105841/G_RickGrandy.part2.rar[/URL]

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 [URL]http://www.fileserve.com/file/9JHngW8/G_RickGrandy.part2.rar[/URL]

 

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Master Classes 2011-Jeremy Engleman – Three-Hour 3D Figure Study

504 Mb

This class will demonstrate a technique that will encourage the artist to pursue three-hour figure gesture paintings in 3D. These 3D gesture paintings allow the artist to experiment and avoid being consumed with the detail work ordinarily associated with the medium of 3D. While a photograph is used for the purposes of this class, all techniques are perfectly applicable to working in front of a live model.


Techniques will be demonstrated for the three phases of creating a quick study; modeling, texturing and lighting. Each of the phases will be built from the ground up, and the purpose of each component will be described. This technique can easily serve as a foundational “underpaint” for a more polished,
realized work. When this underpaint is solid, finished work is solely a matter of adding additional layers and filling in details.

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Master Classes 2011-Paul Tobin: Character Design for Illustration

306 Mb

At Weta Workshop we are often asked to help create a fantastical and original world that still has the cultural and historical believability of our own. In this workshop I will be sharing how many of the principles and techniques we employ as world designers can be applied to figurative illustration to give greater depth, detail and meaning to your work. This workshop will cover my conceptual and technical process behind an illustration produced for Coilhouse Magazine, Sherlock Holmes vs The White Fox Woman – a brief History of Chinese Pulp (2010).
​

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[URL="http://www.fileserve.com/file/T4cffFh/G_PaulTobin.part2.rar"]
​

 

[tarkan_tan]

Master Classes 2011-David Meng: A Pungent Character: Getting Grit into Imaginary Faces

480 Mb
​

In this class, David Meng shares his thoughts on how he includes personality and expression in a character bust, striving to avoid anything innocuous or generic but still keeping subtlety in the sculpture. The practical aspects of working with plastaline and armatures will be addressed, as well as the subjective aspect of creative influences and the challenges involved in creating something that will entertain and surprise viewers.

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​

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​

http://www.filesonic.com/file/123083751/G_David

 

[tarkan_tan]

Master Classes 2011-Grzegorz Jonkajtys: Independent Dystopia

306 Mb

Award-winning independent director Greg Jonkajtys shares his experience designing and executing the visual effects for his new live-action short film The 3rd Letter. Topics will include storyboards and animatics, shooting with the Canon 5D Mark II DSLR camera, blending computer generated effects with real props, and extending live-action sets with CG.

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[URL="http://www.filesonic.com/file/123090781/G_GrzegozJankojtys.part3.rar"]​

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http://www.fileserve.com/file/Fqm8Vsy/G_GrzegozJankojtys.part3.rar
​

 

[tarkan_tan]

Eat3D - ZBrush Hard Surface Techniques

Eat3D - ZBrush Hard Surface Techniques

2.26Gb

In this DVD, Instructor Mike Jensen goes into depth on many hard surface techniques in ZBrush. Mike starts off by explaining in detail many techniques like customizing the ui, creating meshes, brushes, and stamps. Next he then takes you through the process of creating an entire mechanical character and covers everything from starting with a concept mesh to creating a clean base mesh and detailing. Mike then takes the final model into 3ds Max and uses V-Ray to create materials and render out layer passes. Last he takes the renders into Photoshop to composite them together.

This DVD is perfect for those who want to learn how to create hard surface characters inside ZBrush.
About the Instructor:
Mike Jensen is a character artist from the US who specializes in creating mechanical characters in zbrush. He has created several training packages on ZBrush including the book "Zen of ZBrush" and the e-book "ZBrush Techniques". Mike is currently a freelancer who is dedicated to developing new techniques within ZBrush to produce mechanical characters with the same quality, precision, and accuracy of a traditional 3d modeling package.
Project Files: Included are the ZBrush files, stamps, and alphas as shown in the DVD.

[URL]http://hotfile.com/dl/107405433/e9adeaf/E3DZBrushHardSurfaceTechniques.part01.rar.html[/URL]
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​

 

[tarkan_tan]

Modelling the Audi R8 in 3Ds Max, Day 1&2

eLearning | 1.41 GB​

You asked for it, and Madhan_2005 has delivered! Over the course of this amazing tutorial series, Madhan will be walking us through how he modelled and rendered a photorealistic Audi R8 using 3Ds Max, after which you’ll be well equipped to create your very own dream cars! This tutorial series is a must-watch for any artists looking to expand their portfolio and learn the sought-after art of car creation.​

On day 2 of this amazing tutorial series, Madhan continues to walk us through how he modelled this photorealistic Audi R8 using 3Ds Max. This second part (6 videos in total including an updated reference image pack) concentrates on completing the overall body work, after which we begin to add in the details. This tutorial series is a must-watch for any artists looking to expand their portfolio and learn the sought-after art of car creation!​

[CENTER]Download :[/CENTER]
  

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