آموزش های ویدیویی مایا

لاک پشت نابودگر · May 8, 2010

Digital Tutors - Maya Extreme Bundle Video Tutorials

Digital Tutors - Maya Extreme Bundle Video Tutorials 60GB

لاک پشت نابودگر · May 8, 2010

Digital-tutors - Creating Cartoon Sets in Maya

Digital-tutors : Creating Cartoon Sets in Maya

لاک پشت نابودگر · May 8, 2010

Digital-tutors : Introduction to Maya 2009

Digital-tutors : Introduction to Maya 2009

لاک پشت نابودگر · May 8, 2010

Digital-tutors : Creating Cartoon Vehicles in Maya

Digital-tutors : Creating Cartoon Vehicles in Maya

HamidBN · May 20, 2010

اینو من دیدم
خیلی باحاله

mosy252 · May 25, 2010

DT:12 Principles of Animation in Maya

DT:12 Principles of Animation in Maya In this course, we will guide you through the 12 Principles of Animation in Maya.

Why does my character's motion look so unnatural and unappealing? How can my animations captivate an audience? What, in my character's movement, is missing that will enable it to be convincing and entertaining? These are a few questions that will be answered through this training, all with the help of these fundamental rules of animation.

mosy252 · May 25, 2010

Digital Tutors: Creating Facial Topology in Maya

Digital Tutors: Creating Facial Topology in Maya

http://cgpersia.com/author/nobax/

In this course, we’ll cover methods for adding topology to our new or pre-existing model to make creating mouth shapes and expressions feasible.
For anyone focusing on animation, having a character to work with is important. In a previous course, we went through the process of building a basic character that we could use to practice our animation. The character is meant to show action and emotion through only the movement of the body. While this is great practice for getting the most out of our character’s body movements, at some point we’ll probably want to start creating facial expressions and even make our character speak. We’ll use a variety of tools in Maya like the Split Polygon Tool and the Insert Edge Loops tool to manually add and remove edges and generally reroute the geometry as needed. We’ll also add geometry for the interior of the mouth and reassemble the head with the existing body.
Lesson Outline (9 lessons)
1. Introduction and Project Overview
2. Isolating the head geometry
3. Creating initial loop topology around mouth
4. Rerouting geometry along cheek and chin
5. Shaping the lips
6. Starting the interior of the mouth
7. Building the teeth
8. Modeling the tongue
9. Making final adjustments to the model

Rapidshare:
http://rapidshare.com/files/3892032...FACIAL.TOPOLOGY.IN.MAYA.2011-INKISO.part1.rar
http://rapidshare.com/files/3892033...FACIAL.TOPOLOGY.IN.MAYA.2011-INKISO.part2.rar
http://rapidshare.com/files/3892033...FACIAL.TOPOLOGY.IN.MAYA.2011-INKISO.part3.rar
Hotfile:
http://hotfile.com/dl/43686515/0eec...L.TOPOLOGY.IN.MAYA.2011-INKISO.part1.rar.html
http://hotfile.com/dl/43686512/40cb...L.TOPOLOGY.IN.MAYA.2011-INKISO.part2.rar.html
http://hotfile.com/dl/43686514/bc58...L.TOPOLOGY.IN.MAYA.2011-INKISO.part3.rar.html

mosy252 · May 25, 2010

Digital Tutors: Architectural Previsualization in Maya

Digital Tutors: Architectural Previsualization in Maya

http://cgpersia.com/author/nobax/

In this series of lessons, we will model and texture a 3d building and integrate it into a photographic plate.
Architectural visualization is an invaluable tool for being able to see a building, often inside and out, before constructing it in real life. Seeing structures in 3d will often highlight issues that may not be apparent when looking at drawings and plans. We’ll start by building up the geometry of the two buildings from scratch, using many of Maya’s modeling tools. We’ll use deformers to create sweeping curves and we’ll use existing geometry to add detail like balconies and rails. With the modeling complete, Kyle will take you through the process of adding materials and textures to the geometry. You’ll also go through the necessary steps for adding appropriate lighting and setting up your renders. In the end, you’ll have a nice final render with your custom built 3d building sitting in a real location.
Lesson Outline (27 lessons)
1. Introduction and Project Overview
2. Blocking in the basic shape of the first building
3. Blocking in the basic shape of the second building
4. Adding and shaping a concrete pad
5. Adding windows to the building
6. Adding decks to the upper floors
7. Creating a railing for the observation deck
8. Adding detail to the entry area
9. Adding the awning and structural supports
10. Adding detail to the door area
11. Building a glass elevator in the side of the building
12. Adding architectural elements to the second building
13. Adding trees with Paint Effects
14. Creating UVs for the building’s windows
15. Managing scene resources using Render Proxies
16. Creating UVs for the exterior of the secondary building
17. Matching perspective to a background plate
18. Setting up image-based-lighting within Maya
19. Adding direct illumination sources to the scene
20. Creating exterior materials for the buildings
21. Creating a shading network for the window textures
22. Finishing the window textures for the building
23. Creating a brushed-metal material for the building’s exterior
24. Creating minor irregularities in the brushed-metal panels
25. Adding shadow-casting objects into our Maya scene
26. Making final adjustments to our building scene
27. Fine-tuning the final render within Photoshop

mosy252 · May 26, 2010

DT:Introduction to Maya Fur با اون قدیمیه فرق می کنه.

DT:Introduction to Maya Fur

Lesson Outline (18 lessons)
In this series of lessons we'll explore the fascinating Maya Fur toolset.

We will spend most of our time with the core node of this system the Fur Description. This course is a perfect review of the fur description for those of you who are already using Fur as well as a perfect overview for new artists using Fur for the first time. We will go through the process of loading the plugin and go through each of the attributes one by one in the Fur Desc. Node. By learning more about what the individual attributes do you will be armed with the knowledge to tackle your own fur projects. This is the first part of a 2 part series covering the fur system in maya.

Links:

http://rapidshare.com/files/391504976/Introduction_to_Maya_Fur.part1.rar.html
http://rapidshare.com/files/391638912/Introduction_to_Maya_Fur.part2.rar.html
http://rapidshare.com/files/391505851/Introduction_to_Maya_Fur.part3.rar.html
http://rapidshare.com/files/391647226/Introduction_to_Maya_Fur.part4.rar.html
http://rapidshare.com/files/391505922/Introduction_to_Maya_Fur.part5.rar.html

project files:
Links:

http://rapidshare.com/files/391671026/project_files_4.zip.html

mosy252 · May 26, 2010

Digital Tutors - Automotive Rendering with HDRI Light Studio and Maya

Digital Tutors - Automotive Rendering with HDRI Light Studio and Maya

Digital Tutors - Automotive Rendering with HDRI Light Studio and Maya
English | VP6F 782x646 | MP3 96 Kbps | 433 MB
Genre: eLearning

In this series of lessons, we will learn how to use HDR Light Studio and Maya together in order to create high-quality studio lighting for your automotive renders.

We will begin this course in Maya, where we will learn how to set up an image-based lighting environment in preparation for rendering. From there, we will jump into HDR Light Studio, which will allow us to easily create high dynamic range images which can mimic realistic studio lighting. We will learn how to control the appearance of synthetic lights within HDR Light Studio, as well as discussing many techniques which can dramatically increase the efficiency of your lighting workflow in both Maya and HDR Light Studio.

Lesson Outline (13 lessons)

1. Introduction and Project Overview
2. Creating an image-based lighting environment in Maya
3. Creating primary light source in HDR Light Studio
4. Adding ground shadows to our IBL environment
5. Applying tone-mapping to the Maya camera
6. Altering Background Synthesis in HDR Light Studio
7. Using guide lights in HDR Light Studio
8. Adding reflections to the rear of the car
9. Creating highlights for the roof of the car
10. Adding reflections to the front hood area of the car
11. Using dark lights to enhance reflections
12. Adding specular flakes to the car paint shader
13. Creating high dynamic range renders from Maya

Screenshot

Download from Hotfile
Links:

http://hotfile.com/dl/44897368/05fc466/shareislove_DTATMRDWHDRLSAMAYA.part1.rar.html
http://hotfile.com/dl/44897366/f0ec9d0/shareislove_DTATMRDWHDRLSAMAYA.part2.rar.html
http://hotfile.com/dl/44897367/eeb324c/shareislove_DTATMRDWHDRLSAMAYA.part3.rar.html

Download from Fileserve
Links:

http://www.fileserve.com/file/XKgJqkE/shareislove_DTATMRDWHDRLSAMAYA.part1.rar
http://www.fileserve.com/file/KrT8CwN/shareislove_DTATMRDWHDRLSAMAYA.part2.rar
http://www.fileserve.com/file/HtKvd4g/shareislove_DTATMRDWHDRLSAMAYA.part3.rar

__________________

mosy252 · Jun 1, 2010

CGwhat – District 9 Gun modeling in Maya

CGwhat – District 9 Gun modeling in Maya

Jun 1st, 2010 by Sonny Dye

CGwhat – District 9 Gun modeling | 1.42 GB
Genre: Eleaning
In this video tutorial you will see how modelirovalt weapons aliens from the film “District No 9″
Manufacturer: CGwhat
Year: 2009
Language: English

mosy252 · Jun 1, 2010

CGwhat – Optimus Prime modeling in Maya

CGwhat – Optimus Prime modeling in Maya

Jun 1st, 2010 by Sonny Dye

Genre: E-learning
Very intuitive splint on modeling “Transformers” in this case, “Optimus Prime”.
Manufacturer: CGwhat
Year: 2009
Language: English

mosy252 · Jun 1, 2010

CGwhat Fat Rat modeling

CGwhat Fat Rat modeling

CGwhat Fat Rat modeling | 657 MB
Genre: Elearning

At this time Arnell (modeler) will show how to do mouse-style " Ratatouille "
Manufacturer: CGwhat
Year: 2009
Language: English
Comrade, if downloaded, then let others download!
Video codec: MPEG4 Another
Video: Quick Time

Rapidshare =

Links:
http://rapidshare.com/files/393981124/CgWhat_FatRat.part1.rar
http://rapidshare.com/files/394017812/CgWhat_FatRat.part2.rar
http://rapidshare.com/files/393998237/CgWhat_FatRat.part3.rar
http://rapidshare.com/files/394004271/CgWhat_FatRat.part4.rar
http://rapidshare.com/files/394023020/CgWhat_FatRat.part5.rar
http://rapidshare.com/files/394009887/CgWhat_FatRat.part6.rar
http://rapidshare.com/files/394014847/CgWhat_FatRat.part7.rar

Links:
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Mirror:
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mosy252 · Jun 1, 2010

CGwhat - Bugs Life Flick modeling

CGwhat - Bugs Life Flick modeling

CGwhat - Bugs Life Flick modeling | 415 Mb
Genre: Eleaning

This tutorial shows how to model in the style of Pixar specifically the modeling of the cartoon Flick Flick Adventure
Manufacturer: CGwhat
Year: 2009
Language: English
Please stay on the distribution share with all
Ps Type that on the screen and you will do.
Video codec: MPEG4 Another

Screenshot

Links:
Download:
http://hotfile.com/dl/45857950/52c4cb1/CGWHAT_Flick.part1.rar.html
http://hotfile.com/dl/45858183/7119f59/CGWHAT_Flick.part2.rar.html
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Mirror:
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Mirror:
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mosy252 · Jun 1, 2010

CGwhat Zombie Bunny Modeling

CGwhat Zombie Bunny Modeling

CGwhat Zombie Bunny Modeling | 581 MB
Genre: Elearning

The long-awaited splint on modeling Zombie Hare
Manufacturer: CGwhat
Video codec: MPEG4 Another
Year: 2009
Language: English
Comrade, if downloaded, then let others download!
Video codec: MPEG4 Another
Video: Quick Time

Screenshot

Links:
Download:
http://hotfile.com/dl/45701187/cae98de/CgWhat_Zombie.part1.rar.html
http://hotfile.com/dl/45701189/f716f12/CgWhat_Zombie.part2.rar.html
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is Online

mosy252 · Jun 7, 2010

DT:10 Ways to Improve Your Modeling in Maya

DT:10 Ways to Improve Your Modeling in Maya

10 Ways to Improve Your Modeling in Maya

Lesson Outline (11 lessons)
At Digital-Tutors, we've found that many students starting out in modeling have difficulty in creating the specific vision they have. In many cases it's not necessarily a lack of knowledge of the tools as much as it is a lack of confidence and experience. So, to give you a head start on your modeling, we've put together a number of tips collected from production and from teaching students that will help you build the best models you can with minimal frustration.

We'll talk about breaking down our modeling projects into manageable chunks. Then we'll cover methods for staying aware of as much information as possible about our geometry while we work. We'll cover specific techniques for adding circular resolution to square objects and go over setting up image planes. This course is meant for students that have some modeling experience and are familiar with some modeling tools but would like a few tips for creating a smoother workflow and getting better results.

Links:
http://rapidshare.com/files/396013500/10_Ways_to_Improve_Your_Modeling_in_Maya.part1.rar.html

http://rapidshare.com/files/395956875/10_Ways_to_Improve_Your_Modeling_in_Maya.part2.rar.html

http://rapidshare.com/files/395969388/10_Ways_to_Improve_Your_Modeling_in_Maya.part3.rar.html

http://rapidshare.com/files/395981551/10_Ways_to_Improve_Your_Modeling_in_Maya.part4.rar.html

http://rapidshare.com/files/395999444/10_Ways_to_Improve_Your_Modeling_in_Maya.part5.rar.html

http://rapidshare.com/files/396013320/10_Ways_to_Improve_Your_Modeling_in_Maya.part6.rar.html

O

aliReza · Jun 7, 2010

اینم لینک کمکی، چون RS معمولا سریع پاک میکنه....

کد:

http://hotfile.com/dl/46868156/2a2b733/shareislove_DT10WTIPYMDLIMAYA.part1.rar.html
http://hotfile.com/dl/46868155/3eb8da2/shareislove_DT10WTIPYMDLIMAYA.part2.rar.html
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یا

کد:

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mosy252 · Jun 10, 2010

Digital Tutors - Modeling Architectural Destruction in Maya

Digital Tutors - Modeling Architectural Destruction in Maya

Digital Tutors - Modeling Architectural Destruction in Maya | 715 MB
English | FLV | 782x646 | 15 fps | VP6 1024 kbps | MP3 96 kbps

In this series of lessons we're going to use a variety of modeling tools and techniques to create damage effects using a building.

Damaging 3d models presents some interesting challenges and creates new issues from a modeling point of view. Perhaps you now need to build an engine because a shot calls for the hood of your CG car to be damaged. Or the walls of your set have been damaged, displaying their inner structure. We'll cover some basic techniques for adding the needed resolution to the models. We'll talk about how different types of materials react to damage - wood vs. metal or concrete. We'll cover methods for breaking apart pieces of geometry as well as dressing the set and using dynamics to add rubble very quickly. Once done, you'll be able to apply what you've learned and start destroying your own 3d models.

Lesson Outline (12 lessons)
1. Introduction and Project Overview
2. Isolating relevant geometry
3. Removing large chunks of the building
4. Manipulating the ceiling interior
5. Manipulating the floor interior
6. Dressing the set with props and debris
7. Dressing the window areas
8. Breaking concrete and stone pieces
9. Breaking wood pieces
10. Assembling rubble with dynamics
11. Detailing block damage in Zbrush
12. Detailing wood damage in Zbrush

* Project files are included

Screenshot

Links:
Download from FileServe
http://www.fileserve.com/file/P2Rh5Uu/DT.MADiM.part1.rar
http://www.fileserve.com/file/whWCXa7/DT.MADiM.part2.rar
http://www.fileserve.com/file/rYwNyKv/DT.MADiM.part3.rar
http://www.fileserve.com/file/puhRwJV/DT.MADiM.part4.rar

Download from Hotfile
http://hotfile.com/dl/47508088/ab1e993/DT.MADiM.part1.rar.html
http://hotfile.com/dl/47508090/12b1903/DT.MADiM.part2.rar.html
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http://hotfile.com/dl/47508092/9439e54/DT.MADiM.part4.rar.html

Links are interchangeable

mosy252 · Jun 10, 2010

Digital Tutors - Compositing 3D into Video in Maya and Nuke

Digital Tutors - Compositing 3D into Video in Maya and Nuke

Digital Tutors - Compositing 3D into Video in Maya and Nuke
English | VP6F 782x646 | MP3 96 Kbps | 945 MB
Genre: eLearning

In this series of lessons we'll learn how to take the output from a motion tracker app and import a 3D model and light, render and composite it into our original footage in Nuke.

We'll begin this project by setting up our motion tracked scene by adding the original footage and aligning everything to make working easier. We'll then bring in our 3d object and learn how to place it in our scene. We'll then learn how to create ground geometry and create lighting that matches our original shot. We'll then create multiple render passes and layers to make compositing much easier.

After we render, we'll jump into Nuke and learn about such topics as shadow matching, color matte usage and various techniques to match our 3d render with our live action back-plate. We'll finish with a global color correct and add realistic motion blur to finish our shot.

Lesson Outline (27 lessons)

1. Introduction and Project Overview
2. Setting our image plane to test our tracked point cloud
3. Locking our Camera and Locators to the grid
4. Importing our object and integrating it into the scene
5. Creating ground plane geometry to catch shadows
6. Bringing in our HDR Environment and matching lighting
7. Extending our ground plane and adding a curb
8. Setting up our basic color layer and passes
9. Creating a ground and object ambient occlusion layer
10. Building our two Shadow render layers for control
11. Creating a Color Matte layer to capture different pieces
12. Creating a motion vector layer and outputting it correctly
13. Making final changes to our Render Settings and rendering
14. Shuffling all our rendered images into channels
15. Rendering an EXR sequence for faster compositing
16. Importing our footage and create a dual tree workflow
17. Matching our footage shadows using our shadow mattes
18. Applying ambient occlusion with color correction techniques
19. Compositing our sign color passes
20. Using the Color Matte pass to tweak the sign
21. Hue Shifting the Legs into the correct color space
22. Color Correcting the rusty base
23. Fixing the sandbags by adding noise and heavy color correcting
24. Adding Lightwrap to our object
25. Using our motion vectors to add motion blur
26. Creating a motion vector mask for the background
27. Creating a Film look and rendering our final sequence

* Project files are included

Screenshot

mosy252 · Jun 11, 2010

Digital Tutors - Character Rigging for Production in Maya 2011

Digital Tutors - Character Rigging for Production in Maya 2011

Digital Tutors - Character Rigging for Production in Maya 2011
English | VP6F 782x646 | MP3 96 Kbps | 2.86 GB
Genre: eLearning

In this course, we will cover tools and techniques for setting up character rigs in Maya.

Step by step, we'll construct a control rig that is robust and animator-friendly. We'll learn everything from proper joint placement and techniques for correcting a joint's orientation to learning fun ways we can preserve volume as our mesh deforms and how to make our controls efficient and easy to comprehend. We'll also learn how to build some fun MEL tools that will help speed up our workflow, bringing that time back into constructing our control rigs with the best methods.

Lesson Outline (68 lessons)

1. Introduction and Project Overview
2. Prepping Our Scene
3. Creating a Renaming Tool
4. Building the Left Leg Joint
5. A Technique for Re-orienting Joints/Finishing the Leg Joints
6. Setting-up Foot Roll Joints
7. Creating a Tool that Generates a Box Curve
8. Scripting a Joint Curve
9. Constructing Foot Controls
10. Setting up the Foot Controls/Rigging the Toe Bend
11. Rigging a Foot Bank
12. Finishing the Foot Bank Rig
13. Adding Knee Controls
14. Establishing Knee Association Curves
15. Writing a Script to Generate Joints on each Selected Vertex
16. Building the nSpine Joints
17. Adding in a Spline IK / Initial Connections of the nSpine
18. Creating Upperbody Control Curves
19. Starting to Add Twisting to our nSpine
20. Setting up the Initial Twisting in the nSpine
21. Completing the Setup of the nSpine Locators
22. Choosing a Stable Rotate Order for Control Objects
23. Finishing the nSpine
24. Building the Shoulder and Arm Chains
25. Building Finger Joints
26. Rigging Shoulder Controls
27. Establishing IK Arm Controls
28. Adding Elbow Controls for the IK Arm
29. Establishing Elbow Association Curves
30. Dynamically Parenting the Arm Controls
31. Setting up IK/FK Switch Controls
32. Building FK Controls of the Arms
33. Finishing the FK Arm Controls
34. Dynamically Orienting the FK Arm Controls
35. Creating a Tool that Parents Shape Nodes
36. Starting on Finger Controls
37. Finishing the Finger Controls
38. Building Arm/Forearm Twist Joints
39. Establishing Arm/Forearm Twist Controls
40. Wrapping up our Forearm Twist Rig
41. Rigging the Left Arm with an Auto Clavicle Feature
42. Setting up an AutoClavicle on the Right Arm
43. Building the Neck and Head Bones
44. Establishing a Head Control
45. Dynamically Parenting the Head Control
46. Creating Facial Joints
47. Renaming and the Facial Joints
48. Building Facial Controls
49. Adding Parent Controls to our Facial Rig
50. Wrapping up the Facial Controls
51. Blinking the Eyes
52. Constructing Eye Controls
53. Dynamically Parenting the Eye Controls
54. Starting to Rig the Eyes
55. Finishing the Left Eye
56. Finishing the Right Eye
57. Cleaning up the Scene / Adding a Global Control Curve
58. Adding a Character Set
59. Binding the Character / The Magic of Dual Quaternion Skinning
60. Binding the Eyebrows / Blocking in Weights with Dual Quaternion Skinning
61. Refining the Deformations of the Head
62. Finishing the Weights on the Left Leg
63. Wrapping up the Weights on the Left Hand
64. Adding and Editing Influence Objects
65. Finalizing the Left Arm's Weights
66. Painting Weights on the Neck
67. Double-checking Deformations
68. Mirroring Skin Weights / Finishing the Character Rig

* Project files are included

Screenshot